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Saturday, January 15, 2022

By The Nile.

(Originally written on 30th April, 2018.)


Somewhere across the deep, meandering river Nile, where water split the land the widest, lay little Lika’s, little village. She came to the edge of the river every morning to collect rocks. Only the less overbearing, less rugged-looking ones she chose. She was helping Dadda make a road to their fine chicken coop, after all. 

On the other side of the wide, wide river was Bayo. His skin was as dark as night, and his hair stuck to his skull like small bunches of wool. Bayo and Lika saw each other every day. They never cared to smile, as it was too far for the other to see. But they always waved. 

How would his village be, she wondered. What language did he speak?

Bayo, on the other side, had heard his Uncle talk about something called a brug. Made of wood and ropes. A marvelous, new invention that could let one walk across pits, rifts and valleys. 

"How incredible", said Boyo. “Could we build that thing across the river some day, Uncle?”

“Don't be a dolt; it’s the Nile! No brug can cross it. And for the last time Bayo, we cannot go to the other side!”

“Never?”

“Ever.”

The next day Bayo made a paper boat for Lika. He pushed it into the river towards her, as she strained her eyes and watched. 

Lika was the smart one. She understood the currents, and knew even before the boat toppled, that it would never reach her. 

So, the next day, SHE made a paper boat! She put it inside a wooden box. Pleased with herself, she floated the box towards Bayo. 

Bayo, the little fool, became hopeful. Nile, the big beast, turned wild. The boat never reached. 

Bayo and Lika still meet each other every day, by the river. It has been 2 years now. They don't care to smile. But they always wave. 




Saturday, December 11, 2021

Hagar the Man

 (Originally written on 4th May, 2018)


They laid me to rest on a boat. Clothed me in their finest robes and crowned me with their densest horns. They cried a river, as I drifted into the sea. He took aim, his heart heavy with love and pain. The farewell lit up, hull, sail and all. And I lay still. As still as the water below. Biding my time, I was, for the final jump.


It's never easy to walk away from your demons. But I chose to live, in the land of men. 


I'm back!

Chanced upon my own blog, while commenting on another. It was not an accident, perhaps. Maybe, I was meant to be reminded of an old friend that I had drifted away from, for, I had found another (read: Instagram). As I can now see, it has been 6 years since I last posted here. Looking back, and reading my younger self has tickled me no end. I was 26 then, I am 37 now! I feel the need to revive it, reconnect...and probably read back at 50! 

For now, I will start by re-posting my favourite pieces from my Instagram page.


Friday, January 23, 2015

Jagah nahi hai diary mei…
Ye ashtray puri bhar gayi hai…
Ulat-pulat ke tamaan saffon mei zhaankta hun,
Kahin koi durrah nazm ka bach gaya ho toh
Uska kashh laga lun…
Talab lagi hai…
Talab lagi hai…
Ye ashtray puri bhar gayi hai…  


-          Gulzar

Saturday, December 6, 2014

Kanan makes me wanna have gills.


Not exactly...it just sounded like a very confusing thing to say. :D

So, I went to watch the Kanan Gill stand-up act at The Hive with a bunch of friends and some strangers, who became company by the end of the evening. Kanan is funny, alright. And the fact that he is pleasing to the eye definitely makes his jokes funnier. The two girls sitting in front of us stand testimony; they kept falling over each other even before he could complete his wisecracks. Kanan, " So this one time in college...."
Those two, "heheeeeehee...hahahaha....ommggggod...hahaha...playing with hair....hehe."

Ya, die already...and move your head from my face while you do so. You know, so I can see Kanan! Truth be told I was trying really hard to be indifferent and lady-like, but my poise was draining on me. So I giggled too, in parts; mostly because he was really good and other times because of gender issues.
He spoke about a lot of things - beef curtains, potty, women falling for him, gay guys and ha ha. Surprisingly, he also brought up the Vogue Empower ad and had the exact thing to say as the post on my wall. Hmm...connection! Through all this, I kept trying to make serious eye-contact with him, and I felt like he too was looking directly into my pupils. Much like the many assumptions I make in life!

The Pretentious Movie Reviews was, of course, the reason I ran to watch his show; Prem ki deewani being my favourite. I do wish they would do more of these videos. I, for one, am dying to watch their review on Kabhi Khushi Kabhi Gam. That's an ass waiting to be taken. Oh wait....Didn't Karan Johar direct the film?!! Ha! Pun just got intentional.

I think it is also important that I mention Biswa here. He is really awesome too. I like him, he looks a lot like my sister.


#kanangill #thehive

Wednesday, October 8, 2014

My take on Vishal Bharadwaj's take.





Tabu is Kashmir.
Torn between 2 brothers.
One has her; the other wants her.
But what does she want?
Well, she is divided.
Half widow. Half bride.
Half here. Half there.

Her son Haider however, like the many sons of Kashmir, has picked a side.
He will fight till the end, for what he believes
belongs rightfully to his father.

Chacha jaan cannot have Kashmir.
So what if Kashmir doesn't mind.
After all, sons are meant to avenge their fathers.


Par do haathiyon ki ladaai mei pista toh ghaas hi hai!
So pis jayega Kashmir.... 

Vengeance will follow more vengeance
Aur mitt jayegi Ma.

Finally, what will become of Haider?
The same thing that might become of the children of Kashmir.
Nothing left to die for. Or live for.

#Haider #Vishal Bharadwaj

Friday, May 24, 2013

Mira's Version


I watched The Reluctant Fundamentalist recently, and I liked it enough to want to write about it. It’s a must watch if you enjoy the genre of drama, without the dramatics.

Mira Nair chose to work on a subject that has been a favourite among abusers for a while–the post 9/11 trauma, drama. But The Reluctant Fundamentalist stands out. For one, it does not take sides and also mercifully, spares the audience an overdose of America’s anti-Islamic sentiments and consequently the barbaric treatment on Muslims in general. We have seen that before.

The film spoke about the same things, but without going to extremes. Something that makes it more credible and empathetic.  The change of heart of the protagonist Changez Khan, from the suit-walla with a cushy job at Wall Street to the bearded professor in the not- so-posh streets of Lahore, is also very gradual. And mind you, very personal. It’s not a sudden jingoistic awakening of a Paki-American who wants to connect with his roots and change his country. Connect he does, start a dialogue of change he does; but it started on a ME level rather than on fundamentalism.  

The film is a gentle reminder that it is actually the little things in life that impact us in a big way. For Changez Khan, it was no different. The process of change begins with Khan’s  break-up with the person he connected with the most in the city. The subtle, unsettling reminders of his ethnicity; his father’s words of advice and finally the publisher’s gift of his father’s works, that make him question western capitalism (which he was very much a part of).

Whenever the story moves to Pakistan, you can’t help but feel the hopelessness of the educated class of that country. And as a neighboring citizen, not far removed from their reality, you too are moved when Changez Khan, the professor, asks, “Why just the American Dream? What’s your Pakistani Dream?”

Riz Ahmed is a fine actor, with more than just the six stock expressions of a man of method.  He is a natural and his character transformation is so effortless that you almost miss the stark contrast. Also, the ladies are in for a real treat, because this man is delectable to say the least.

Liev Schreiber, as an American journo has a small but significant role. However, actors like Om Puri and Shabana Azmi were truly wasted in the film. So was Chandrachur Singh; in the sense that he was drunk for the most part. 

All in all it’s a good story, told well. Mira Nair is clearly a woman of rare genius, and Mohsin Hamid must be a very happy man.